Tuesday, March 29, 2016

Digging for Roots in the Woods

            We had been fasting for several days by the time we left Minneapolis. We drove straight through the three hours between home and the woods of north central Wisconsin. Joan noted that she could appreciate the fasting used by the Indians; she felt so pure and clean. I didn’t tell her that I was beginning to have slight visual hallucinations brought on by the lack of nutrients in my body. I knew that the shimmering butterflies in the car were most likely not real, and I recalled references to such occurrences in my Native American studies at the Hennepin County library near my apartment. Even the books written over a hundred years ago had explained how purification rituals are important in Ojibway culture for people seeking visions and trying to connect to the spiritual side of life.
            Our first glimpse of Indian country was with the eyes of outsiders. When we finally crossed over onto the Lac Courte Oreilles Ojibway reservation, we saw our first bilingual sign announcing Wiisinii-adaawewigamig - Grocery Store. We noted, too, that the reservation roads could be called paved only by a generous redefining of the word. Despite Joan’s excitement, I felt that our chance of finding any sort of meaningful experience was dubious. We had grown up without any sense of our Indian roots, both of us feeling the void. Back in Minneapolis, Joan had suggested that we might try our reservation. Now that we had made it, however, it didn’t feel like ours.
            Driving through the woods, we followed a maze of arrows to a little business district. There was the Indian Community College. All orange brick and shiny glass, it could have been transplanted from any community campus. There were a few social services buildings leftover from the Work Projects Administration of the 1940s. There was even a small radio station with a stylized eagle painted on the window. The grocery store was small and in need of a thorough cleaning; it was probably not the pride of the Red Owl Corporation.
            The two of us being fresh from the world of academia, the college seemed the obvious choice. We were greeted by a receptionist. Joan and I stammered, but couldn’t find the words to explain our purpose. The receptionist directed us to have a look around, thinking that we were prospective students. We wandered up and down the two hallways, florescent lights buzzing above us while competing scents of Pine-Sol and burnt sage struggled for dominance. We stole glances through the door windows at classrooms full of dark-skinned students. No white majority on the rez. We gathered a collection of quizzical looks from both students and faculty. We read every message board on campus, but found no clue as to our next course of action. We left.
            The sun was slowly rounding overhead. We felt lost, so we went to buy a package of tax-free Camels. I was dragging hard on one before we left the wiisinii-adaawewigamig. Next we explored the other buildings, pressing more than once through the same line of Indians awaiting Welfare checks. We even found time to take a tour of the one room radio station, where they were helpful enough to give us pencils emblazoned with the WOJB call letters.
            By late afternoon we were tired and white. We found ourselves whiter than we had ever been in our lives. Joan and I sat in the car deciding whether or not to give up on our quest for both familial connection and the sense of spiritual belongingness. Despite cursory conversations we had had with several people, we remained reluctant to even attempt to explain the vague reason for our having come to this increasingly foreign land.
            Joan was ready to hit the Red Owl for Little Debbies, and head for Minneapolis. “We’re never going to see any of these people ever again,” I told her, “so why don’t we at least try one last time? We’ll go back into the college and try to explain what we’re looking for.” I figured that even if we sounded like idiots, we could leave knowing that we had truly given it a shot.
            The receptionist greeted us with mild disdain. We were, after all, bothering her for a second time in one single afternoon. Joan and I rapidly spilled our story of spiritual searching and living as minorities in a white world. The receptionist helped us to feel that we belonged in that place from which we had traveled. “You people come here expecting to find Indians in teepees. If you had called ahead, we could have arranged something.”
            With red faces, we apologized and started to leave. She stopped us. A heavyset man with the face of a happy and gentle child was standing in the doorway. The receptionist told us to talk to Sam Quagon. The large Indian man listened to our story while sipping coffee, nodding slightly and smiling. We spoke for some time, learning from Sam Quagon that many generations back, three brothers at the reservation had started distinct family lines. Joan and I were of one line, and our new friend was, in fact, our distant cousin. Excited by that revelation, we were only slightly disappointed when he told us that at the reservation all people are cousins. We all laughed. Eventually he suggested that we follow his minivan out to the woods where Jerry Smith was working.
            As it was still early in the season for making maple syrup, Jerry Smith was out at the new sugarbush site putting up wigwams and chopping firewood. We drove down ice and snow covered trails in the woods while following Sam Quagon. I began to notice the handmade taps pounded into the occasional tree. Very soon the air would be thick with the sweet smell of maple sap simmering in twenty-gallon drums. We stopped where a red handkerchief was tied on a birch. From there we went on foot.
            Jerry Smith was a longhaired man with thin wisps of facial hair. He spoke in a thick Ojibway accent, which has a unique rhythm and excludes anything similar to an R sound, as it was unheard by tribe members until only the latest few generations. We didn’t explain ourselves to Jerry Smith. He was quite happy to have extra hands to do the work, and he quickly set us to the task. Joan and I cut down young ironwood trees and stripped the few branches while Jerry Smith made holes in the ground following a large oval design. We inserted the lodge poles, bending opposite sides across to each other in arches while Jerry Smith and Sam Quagon tied them together with rope. We pulled blue tarps over the dome-shaped wigwam frames, as Jerry Smith’s grandfather had done with birch bark years earlier. Jerry Smith was happy that the work went so much faster having four Indians instead of two. Sam Quagon agreed.
            After working for a while, Jerry Smith lifted a backpack and took out a bundle rolled in rabbit fur. From the unrolled item, Jerry Smith pulled a carved stone pipe bowl and wooden pipe stem, followed by a smudge stick of tied sage, a package of tobacco and a Bic lighter. He assembled his pipe, loaded the bowl with tobacco and spoke for quite awhile in his Ojibway language. Neither Joan nor I had any idea what Jerry Smith was saying, but the language was beautiful to listen to, and Sam Quagon smiled and nodded frequently. The pipe was passed to each of us and we smoked until the bowl was empty.
            That afternoon turned into night. On breaks from working to prepare the sugarbush site we would warm ourselves around a fire and sip tea that Sam Quagon had made in a coffee can with melted snow and red willow sprigs. Jerry Smith told us stories about Winiibozho, the Ojibway spirit entity who permeates the tribe’s oral history.
            As the night wound down, Joan and I exchanged a look of concern. We had no plan for where to stay, and we didn’t even know if there were hotels in the area. Sam Quagon had been assuming all evening that we’d stay with him. He took us back to his house in the reservation town where he lived with his wife. We slept on the shag carpet in the family room.
            We stayed with our new friends for an additional week. Joan and I broke our fast on the second day in town. We fell into the rhythms of Ojibway life on the reservation: gathering berries, making birch bark baskets, walking in the woods, and meeting people at the casino for burgers. Sam Quagon introduced us to several other cousins.

            On our last afternoon before returning to Minneapolis, Jerry Smith wanted to take Joan and me out to see a wild ginseng plant that he had found in the woods. He insisted that the ginseng is a rare occurrence, and that the root is strong medicine. We followed him through what felt like miles of dense forest, our boots sponging into the layered ground with every step. Jerry Smith laughed, telling us, “It seems like a long way to go for a root. Maybe it’s enough just to know that it’s there.”


Originally published in Yellow Medicine Review, Fall 2007

Saturday, January 16, 2016

Owl painting (acrylic on canvas: original version and black & white version)



A poem-a-day for all of 2016

Around the end of May 2015, I finished a 1000 day run of writing a poem-a-day. It was an amazing experience! While churning out so many new poems, I rarely had time to go back and look at what I was producing. Even now after many months, I have only revisited those years of poems while trying to organize manuscripts or poetry journal submissions. There were certainly many crappy poems. I had days in which I struggled to put together any words. I got more experimental and more "loose" in my approach to writing because of the dictates of having to get a draft done by midnight everyday for nearly three years.

When the run ended, I needed to take a break from writing and a break from poetry. Understandably. I didn't write any poems again until September 2015, when I once again joined The Grind, a monthly poem-a-day writing group that Ching-In Chen invited me to first try in December 2009. I wrote my September 2015 poems, and then walked away again. In the last month or so of 2015, I started feeling like I was ready for another run of creating new poems. I decided to join the January 2016 Grind writing group. I also secretly decided to try to write a new poem each day of 2016. Don't tell anyone please. I've already finished the first couple weeks, and I feel the creative juices bubbling in my body again.

This is my current writing journal. I paint the covers to personalize them.


Pet Paintings (Autio Christmas Party - January 2016)

By Storm Autio

By Storm and Donna Autio

By James Autio

By Donna and James Autio

By James Autio

Wednesday, November 25, 2015

If you are in southern Minnesota and need some writing journals or sketchbooks, stop in at MAFAC! (updated January 15, 2016)




Painted Journals by James D. Autio:

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Handmade sketchbooks by Storm D. Autio:

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Saturday, November 21, 2015

Autumn in Minnesota







Radical Dislocations: weird poems by the best underground poets

Caesura coda.

Wiener.
Sister’s wiener lay on sand.
Beach fire and burnt stick. Wiener in hand, she ran.
Cold wave took away. Sister stand.
Watch wiener
float slow.

Potato.
Wrap in foil.
Burrowed into beach. Loaded mortar:
Dropped potato into hole. Covered over.
Piled driftwood dry.
Hour fire.

Sand sear.
Little feet. Sun scorch.
Frolic jaunt over blister burn.
Run for water. Pause a bit.
Wee paws on beach towel.
Teary sear abate.

Old log.
Exhumed. Rolled.
Floated out. Little legs.
Little butt. Ladybug.
Log near going under.
Pulled back to shore.

We have mallow.
Slow sloth seep.
Descend from stick tip.
Mallow sizzle on glow coal.
Tear sear now
slow abate.

Dead father.
Made ash in oven.
Made mix with sand.
Made ash on hand. Sister’s son ran:
Cold lake wave rinse. We grown,
wipe paw. Lemon-scent
wetnap.




Delirious Ham

Delirious ham
glaze in rain haze hung
heavy in a gallon sack
of prevalence jellied throwback
and pleasement. Already put outside 
all pointed and existing detail to sharpen 
partially subordinate furrows.
Had coffee with pie.

Delirious ham
that which for no better been.
Verges on the river cushion. Poling
with pill bottle clutch and muffin
doily under the knees. Sneak beer
bottle from a toilet tank, brainpan
merge to please via glottal halt.
Top pull over new tit.

Delirious ham
while bent a brain putty to jut 
span a high back, blush. Wood 
to further her and drive home.
Shoe by door. Sock slip
on slick floor. Board splinters 
tan a hide. Fallowed. Warm pat
eased down the butterside.

Delirious ham
tender plate near potato, bun. 
Hide by soot jacket and trouser. 
Carrot rod in sugar sheen. Sip the milk 
from lead crystal. Lick of the serve tray. 
Undercover of linen, tush and boot 
are tapping up the youngerside.
Wash back another percocet.



Interrogative

SQUID ACCUSED: Pretty Paulie said I stole her hat, but I’m a cephalopod for Chrissake!

CONSTABLE: You’re naught but a grotty siphon suckling on society’s teat.

SQUID ACCUSED: Mother may have made me, but society has me tugging at the dugs. I’m only squid in hoodie by accusatory gaze, not amoral nature. As a rule I only tipple in sips.

CONSTABLE: And yet, esophageal tissues constricted. You draw sustenance from―

SQUID ACCUSED: I draw mouthsquirt from only the cold grey underbelly!

CONSTABLE: And consuming the clamskin that undergirds our community!

SQUID ACCUSED: My lips may indeed pucker and wrench the stiffened nipple of the nocturnal city, yet the daylight dwellers have nothing to fear from me.

CONSTABLE: Still, you are emptying the mother’s breast. You might wish you were yet a wee babe on mummy’s lap?

SQUID ACCUSED: I’m made sickly viridescent by those juices of remembrance. Back at the old house, the sea has covered the lawn.

CONSTABLE: You now eschew the power of the squid?

SQUID ACCUSED: No, I live with what I am. Mother’s tentacles reach out from the fetid waters. There is no denying from where I came.

CONSTABLE: Surely that water ebbs then recedes?

SQUID ACCUSED: I’m still a sieve in the sluice, entrenched.

CONSTABLE: I see now. Left feebled and wan, lip-groping with mouthrot.

SQUID ACCUSED: Yes! Vincent’s angina. Mother passed it with her kiss.

CONSTABLE: Mum’s not to blame for your poor choices!

SQUID ACCUSED: From just below the surface, her dead black eyes stare out. They watch.

CONSTABLE: She too was born of the sea. Indeed, squids’ arms are many and suctioned.

SQUID ACCUSED: So me, cursed from the outset.

CONSTABLE: But sink or swim. You chose to crawl from the mire, to walk into town on two legs.

SQUID ACCUSED: My evolution required proximity to people.

CONSTABLE: The city exists for community. Unfortunate it is that the moor drains its progeny here.

SQUID ACCUSED: Yes, the bog absolves itself via lavage.

CONSTABLE: You belong back with the sedge: nightdress and dark, eely tentacles groping for moonglow, not neighbor’s pocketbook.

SQUID ACCUSED: My purse ran low on wampum.

CONSTABLE: So you come to town, nick a bit from strangers, and then blame Mum for what you’ve become?

SQUID ACCUSED: I did it for my Mother. She might’ve looked fine in Pretty Paulie’s hat.

CONSTABLE: You were caught in the commission of a petty crime. Why not run when I fired warning shots?

SQUID ACCURSED: I took a bullet through the neck.

CONSTABLE: Ah, yes. I hear you breathing through the hole.





The Itinerant Airship

I balustrade the itinerant airship. I am dilaudid amuse en scène.
Resold snake meat as that of the shaven fish, taken down the dead 
to make her wigs, rorschach quandary of doing the what now
to be live. Wear. Liminal. Wrapt intaglio labia like a woolen pillar.
She of me. Bare to stir dread with white still, whole and throttle.
Breathe la nouvelle vague and the drop hat in a silent dawn
haven of blanket plush and pills. Break egg in a hot pan. Bird
on the sill with feed in beak and rooster lord on the back coop
all cackly and such. Trainyard and town square barrow hawk ruckus.
Naught but the butter dish near the plum puff. And the coffee bean
percolator on a tick gas range. And the twisted dishcloth. And the
pill down kick a ride river of juice to choke back sleep residual. I’ve
had my putties’ break brought to fleece via chilly dip, she and me
naked in the quarry foam, bare ass between the leaf shadow curious eye
and Dutch parceled twinge. Later, paint vaginal sprawl across canvas
and a hard crick at the forehand free of persona. I’m wan. I am the other
face, boat broken askew over rock shore back where color bleed
and rain flow like of a hose. I am fused of an afternoon filtered through
a lattice of deck craggle and lowered to the compromise hold. Water
cold where it lap at her back brought by drip kick of thorazine treat did.
She gone and dress wet. She near. She me. Shear the lamb and smack
pink haunch as it lay crooked upon the altar, and come inside. Dark
where I hold this. She after with ear to the old plaster. Voices, closet
door on a squeak hinge, and jazz dance like a heave on the offbeat.
This be me with face sheen slight on bent glass, glazing chipped
at the jamb. She too be of me, for the fissure crack arose to give.
The thrush peck pulled bug and blown seed further weaken me. I’m
all apart. In a strange town on a washout street, scuttle from glare
of God beam while every carriage wheel whimper like a newborn. Stare.
I’m both that caul and in-pined, of the spilt afterbirth and worm riddled.
I loved a girl once. She married a man and bore him children. Though
of pound and passersby I’d have put my head to her critch spur
and sleep, patsy pillow breathe soft under me. The itinerant airship.
Labial suction. Gentle queef. Hide I do like a vole in a cello. More pill
in the dark resound chamber. Skull bone dome split and the meats within
effervesce, buoyant foam at the edge and on dine. I may still be of face
to her nook. Could be even me only. Could be semiotic in a wooden bowl
with a ginger press. Had I wooden leg. Float in a tube of neon effluence.
Imminent from the top down and collar skewed to the wonk edge,
flapper and pillbox cut decorative mesh. I raise my umbrella. Fat drops
pad upon seal skin page like chub fingers of a dozen hungry beadles
eager for the group plate age. Each tap an echo now. The sound. Slow.
Just me from under looking out as rain balls float in damp air, smog
particle swirl inside once left air afloat from the coal burn furnace.
Now in wee ball, cobbled street and patisserie inversion held over
sky water, airship slow like move shadow below. There she jimmied
between orbs. Wind rise. I gout lip. She wide eye hole. Custodial
baton rises out from open manhole. Pank sack pulled back and thread.
She quick to fetch a key and retreat instead. I cross the street.
Notion and I’m back astoop and knocking at her door. Stitched.
Jiggle the mail lever. I’m still and sliding out of face. Pressed
to plexiglas with essential nightjar and whitethroat tidy in my ruined
mulberry ducal. I’m restrung in sticky nettles with a whistle past
and a furry ball drupe burden bear on, thrown a bundle and wear
a wide-brimmed hat. Spinach mushroom risotto bed with salmon paste
wafting past. You take a pinch of light through the mail slot, spin
like sugar fibre twine and laid out. Our molecules dissolve. I lamb
baste the knothole, struck dumb and blue in the broken dusk breach
of lilac bloom plank. But to stone step and fish for clutch of dilaudid.
She of me somewhere, deep in the putty, leather pump caught
in my corpus collosum and await for her own fix to kick. Thorazine
to quiet voice. Benzedrine stash in the chifforobe. Cabriole foot
carved of hickory bough, brain lake laid wait awash and indicate
threaded filter of wood slat that intricate poise, tire. Incise design
on the velvet paw. I wait on ease, endorphin or any old opioid
neuropeptide flowage. Thorazine quiet her and I’m alone. Still.
Trousers soaked on the cold wet stone. Home. Or near home
but can’t get in. Door blocked, angel brain shot via vein and grant
no access. Though she be me. The itinerant airship flow by above
my throttle put. Ballast and batten, wordshed leaden and barren.
Start dragging the grapple hook bone socket down from the hulk,
long soul cord to snag the slouching crookback, head down as
despair button favour the blind grope and muffle occasion.
Dirigible recalls tendril and floats on. Swallow one last dilaudid.
Ache ease. Skull break like a breakfast egg, inner skin and cerebrum.
She inside dissolve now down to puddle stain on the foyer floor.
Sun slip behind tree strand and eyeball flatten. She of whether apart.

Splendid daffodil lit by gaslight along an edge of the balustrade.




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