Sunday, December 18, 2016

Publications:


James D. Autio & Heid E. Erdrich

James D. Autio & b: william bearhart

We Will Joust On Bears 
Unveiled

Thimble Magnétique

Our Familiar Faces
Still the Voice
Sky People
Drowning While Another Looks On
Hedge the Oceans
Folded Cloth is Under
In Union with Time Fold
Beacon the Nested Doll
When First Reawaken
At This Transport Plain 

Fall 2015 - poems
War Cry
Eye Balm
Bearpaw on the Juggler Pulpit

Prometheus in America's Dairyland

Interrogative
Caesura Coda.
Delirious Ham
The Itinerant Airship

Spring 2015 - poem
Eye of the Rabbit

issue 2 - poems and art
Sleepy Winkle 
Catfish Cry
Andeg Waabishkindibe - gesso on journal cover

Fall 2014 - poems
Pony With Glass Hooves
Onto Lamplight
Ojibwe Warp Hole
In Greased Cups
Folderol in a Butterfly Wig
Dialogue Through a Muffin Scrim

issue 1 - poem and art
When Enters the Great Sea 
Two Crow - charcoal and gesso on taped grocery bags
Andaigweos - woodcut

Spring/Summer 2014 vol. 38, #1 - paintings
Milkweed and Wooden Leg - acrylic on canvas
Ahab - gesso on journal cover

Fall 2013 - poems
Deliquesce with a Comical Smile
That Haughty Morality

Of a Rumpus
Bird on a Jetty
Sodden Post
Pivot
Sung Down Lament
Collapse
Purée
Chose To

Spring 2012 - cover art / essay
Goldfinch - acrylic on canvas

Appropriate Third Date

Due Uccelli
Minuet to Scherzo

Bones & Skillets pt. 1
(with Susan Koefod)
Like a Book and Cookie
(with Ching-In Chen)

Nind Inaabandam/I Dream
Lemon Poppyseed

Black Smoke of St. Peter's Square

Hydrocodone
Cabriole
Vis-à-vis
At Back Stair
Frusen Marionét Snätchen
Green

VENEREAL KITTENS
(2010)
Rectify
(2008)
Meleed the Jams
Dissolve
Powder Balm

Nov-Dec 2009
Through

Mulligan
From Rack and Bastion

Summer 2009
Poésie Noire

THE HUGE UNDERPANTS OF GLOOM III
Hydrocodone

HIT AND RUN MAGAZINE (3-31-09)
The Misplaced Painting

OARYSTIS, THE CITY OF DESIRES
Interrogative
The Ball-Style Flagpole Finial Legend

(Number 151)
Losing Peru

From the Cold Confines
Chow

Saved
Chute Man
Letter from LaPointe

THE HUGE UNDERPANTS OF GLOOM II: HUGER AND GLOOMIER
Wronged (in 14 ways)

Eggs Etc.

THE FACEBOOK REVIEW
Monkey Flees

Fall 2007 - short story
"Digging for Roots in the Woods"

Only an Aphid

PRAIRIE POETRY
My Bundt

THE FULCRUM: LITERATURE AND ARTS JOURNAL, Volume 9 Spring 2006
The Zoo
Sweetstormchild
Had Breakfast with Jody

THE FULCRUM: LITERATURE AND ARTS JOURNAL, Volume 8 Spring 2005
The Apples
Effigy Waltz
Fruit to a Funeral

****************************************************************
THE FULCRUM ONLINE

2005-2006, EDITION 1: Fall
Butling Mrs.Goldberg
Had Breakfast with Jody
Idle
Love from Zoo
Sweetstormchild
The Zoo
Webbings, So Fragile

2004-2005, EDITION 2: Spring
36
Effigy Waltz
Fucked (in 14 pieces)
Fruit to a Funeral
Protector
The Apples
Village Rain

2004-2005, EDITION 1: Fall
Agnes
Bounceback
Flambeed
Losing Peru
Monkey Flees
Overheard (around the house)
Portrait with Blue Terry

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THE RAPIDS REVIEW

We
The Zoo
Village Rain
Waiting for You

On the City Corner with Bus and Stoplights
Twelve Excerpts from Stagione di Vita
Webbings, So Fragile
Fireball
Hey Crow

The Rapids Review, Spring 2002
Untitled
At the Cafe
Rain & Snow
Carpe Diem
Camp

Monday, September 5, 2016

We Killdeer - Success at the MN State Fair

For many years, I have tried to get my artwork into the Fine Arts Show at the MN State Fair. The show receives a huge number of submissions in many different media, and ends up being very competitive. My submissions have been turned down year after year... until now! One of my large charcoal drawings is called We Killdeer, and it is part of the Disturbed Animal Series. This artwork is a pair of drawings of killdeer, done in charcoal with a bit of gesso highlighting on the full bird drawing. Due to the large size (84"x42"), the drawings are framed individually. The piece was conceived and executed as a single work. It was recently shown at Minnetonka Center for the Arts in a group show called Menegerie: Animals in Art. When I submitted the work for consideration at the MN State Fair, I thought that they would not take a pair of drawings, framed separately, as a single work of art, so I just submitted the large killdeer head. 

I am delighted to say that my large killdeer portrait was accepted for the 2016 Fine Arts Show. It was on display for the duration of the MN State Fair during a year with record-breaking attendance. Many of my friends went to see the drawing and reported back to me, or posted photos on Facebook of their visit to the show. I am very happy that so many people saw my art this year. I appreciate all the nice things people have said! To top off the State Fair experience, my killdeer drawing won a second place prize in its category. It's been great! Thank you to everyone for your support!





Friday, July 8, 2016

Keep Breathing

Feeling numbed by all the pain and anger and killing going on. I was cleaning the house this morning while listening to Ingrid Michaelson, and this beautiful and simple song touched me.


Minnesota Sunrise


Jupe Fouettée

She first built two legs.
Then she hoisted a parcel
which, in her hesitation, drowned
décolletage in viburnum with crackle
inlets in her deepening hinge.
There she turned sugar

under a fetching hat.
She turned radiant and tender
with the gathered rainbow shell
cobbles. And with such bees
as that the honey brought.
She relays orchards

under a passage of days.
There are irresistible forces
swirling around, inflected niche
among heaving mallets as to bullet
the corded crumble cakes that
in shop windows florate.

Her pretty head were
the sun stain on the street, even
of a same time. She was put upon
a dispense urge and herald such pure
impulse. Were that she would
mantle there among tufts.

She hides the otter brush
of sweeten surge and rumple
a tender youth under crinoline. There
are those that lay awake. Within her
suspicion spectators, narrow road.
Of her gathering debacle.



Summer!


Me and a few drawings

Thimble Magnétique - Sleet Magazine

Thimble Magnétique by James D. Autio


Tuesday, March 29, 2016

Digging for Roots in the Woods

            We had been fasting for several days by the time we left Minneapolis. We drove straight through the three hours between home and the woods of north central Wisconsin. Joan noted that she could appreciate the fasting used by the Indians; she felt so pure and clean. I didn’t tell her that I was beginning to have slight visual hallucinations brought on by the lack of nutrients in my body. I knew that the shimmering butterflies in the car were most likely not real, and I recalled references to such occurrences in my Native American studies at the Hennepin County library near my apartment. Even the books written over a hundred years ago had explained how purification rituals are important in Ojibway culture for people seeking visions and trying to connect to the spiritual side of life.
            Our first glimpse of Indian country was with the eyes of outsiders. When we finally crossed over onto the Lac Courte Oreilles Ojibway reservation, we saw our first bilingual sign announcing Wiisinii-adaawewigamig - Grocery Store. We noted, too, that the reservation roads could be called paved only by a generous redefining of the word. Despite Joan’s excitement, I felt that our chance of finding any sort of meaningful experience was dubious. We had grown up without any sense of our Indian roots, both of us feeling the void. Back in Minneapolis, Joan had suggested that we might try our reservation. Now that we had made it, however, it didn’t feel like ours.
            Driving through the woods, we followed a maze of arrows to a little business district. There was the Indian Community College. All orange brick and shiny glass, it could have been transplanted from any community campus. There were a few social services buildings leftover from the Work Projects Administration of the 1940s. There was even a small radio station with a stylized eagle painted on the window. The grocery store was small and in need of a thorough cleaning; it was probably not the pride of the Red Owl Corporation.
            The two of us being fresh from the world of academia, the college seemed the obvious choice. We were greeted by a receptionist. Joan and I stammered, but couldn’t find the words to explain our purpose. The receptionist directed us to have a look around, thinking that we were prospective students. We wandered up and down the two hallways, florescent lights buzzing above us while competing scents of Pine-Sol and burnt sage struggled for dominance. We stole glances through the door windows at classrooms full of dark-skinned students. No white majority on the rez. We gathered a collection of quizzical looks from both students and faculty. We read every message board on campus, but found no clue as to our next course of action. We left.
            The sun was slowly rounding overhead. We felt lost, so we went to buy a package of tax-free Camels. I was dragging hard on one before we left the wiisinii-adaawewigamig. Next we explored the other buildings, pressing more than once through the same line of Indians awaiting Welfare checks. We even found time to take a tour of the one room radio station, where they were helpful enough to give us pencils emblazoned with the WOJB call letters.
            By late afternoon we were tired and white. We found ourselves whiter than we had ever been in our lives. Joan and I sat in the car deciding whether or not to give up on our quest for both familial connection and the sense of spiritual belongingness. Despite cursory conversations we had had with several people, we remained reluctant to even attempt to explain the vague reason for our having come to this increasingly foreign land.
            Joan was ready to hit the Red Owl for Little Debbies, and head for Minneapolis. “We’re never going to see any of these people ever again,” I told her, “so why don’t we at least try one last time? We’ll go back into the college and try to explain what we’re looking for.” I figured that even if we sounded like idiots, we could leave knowing that we had truly given it a shot.
            The receptionist greeted us with mild disdain. We were, after all, bothering her for a second time in one single afternoon. Joan and I rapidly spilled our story of spiritual searching and living as minorities in a white world. The receptionist helped us to feel that we belonged in that place from which we had traveled. “You people come here expecting to find Indians in teepees. If you had called ahead, we could have arranged something.”
            With red faces, we apologized and started to leave. She stopped us. A heavyset man with the face of a happy and gentle child was standing in the doorway. The receptionist told us to talk to Sam Quagon. The large Indian man listened to our story while sipping coffee, nodding slightly and smiling. We spoke for some time, learning from Sam Quagon that many generations back, three brothers at the reservation had started distinct family lines. Joan and I were of one line, and our new friend was, in fact, our distant cousin. Excited by that revelation, we were only slightly disappointed when he told us that at the reservation all people are cousins. We all laughed. Eventually he suggested that we follow his minivan out to the woods where Jerry Smith was working.
            As it was still early in the season for making maple syrup, Jerry Smith was out at the new sugarbush site putting up wigwams and chopping firewood. We drove down ice and snow covered trails in the woods while following Sam Quagon. I began to notice the handmade taps pounded into the occasional tree. Very soon the air would be thick with the sweet smell of maple sap simmering in twenty-gallon drums. We stopped where a red handkerchief was tied on a birch. From there we went on foot.
            Jerry Smith was a longhaired man with thin wisps of facial hair. He spoke in a thick Ojibway accent, which has a unique rhythm and excludes anything similar to an R sound, as it was unheard by tribe members until only the latest few generations. We didn’t explain ourselves to Jerry Smith. He was quite happy to have extra hands to do the work, and he quickly set us to the task. Joan and I cut down young ironwood trees and stripped the few branches while Jerry Smith made holes in the ground following a large oval design. We inserted the lodge poles, bending opposite sides across to each other in arches while Jerry Smith and Sam Quagon tied them together with rope. We pulled blue tarps over the dome-shaped wigwam frames, as Jerry Smith’s grandfather had done with birch bark years earlier. Jerry Smith was happy that the work went so much faster having four Indians instead of two. Sam Quagon agreed.
            After working for a while, Jerry Smith lifted a backpack and took out a bundle rolled in rabbit fur. From the unrolled item, Jerry Smith pulled a carved stone pipe bowl and wooden pipe stem, followed by a smudge stick of tied sage, a package of tobacco and a Bic lighter. He assembled his pipe, loaded the bowl with tobacco and spoke for quite awhile in his Ojibway language. Neither Joan nor I had any idea what Jerry Smith was saying, but the language was beautiful to listen to, and Sam Quagon smiled and nodded frequently. The pipe was passed to each of us and we smoked until the bowl was empty.
            That afternoon turned into night. On breaks from working to prepare the sugarbush site we would warm ourselves around a fire and sip tea that Sam Quagon had made in a coffee can with melted snow and red willow sprigs. Jerry Smith told us stories about Winiibozho, the Ojibway spirit entity who permeates the tribe’s oral history.
            As the night wound down, Joan and I exchanged a look of concern. We had no plan for where to stay, and we didn’t even know if there were hotels in the area. Sam Quagon had been assuming all evening that we’d stay with him. He took us back to his house in the reservation town where he lived with his wife. We slept on the shag carpet in the family room.
            We stayed with our new friends for an additional week. Joan and I broke our fast on the second day in town. We fell into the rhythms of Ojibway life on the reservation: gathering berries, making birch bark baskets, walking in the woods, and meeting people at the casino for burgers. Sam Quagon introduced us to several other cousins.

            On our last afternoon before returning to Minneapolis, Jerry Smith wanted to take Joan and me out to see a wild ginseng plant that he had found in the woods. He insisted that the ginseng is a rare occurrence, and that the root is strong medicine. We followed him through what felt like miles of dense forest, our boots sponging into the layered ground with every step. Jerry Smith laughed, telling us, “It seems like a long way to go for a root. Maybe it’s enough just to know that it’s there.”


Originally published in Yellow Medicine Review, Fall 2007